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Mozart’s Requiem is one of the most iconic works in the history of western music. After exploring its labyrinth of secrets in several years of research, Fabrizio Cassol wanted to reframe the mournful ritual of the Requiem to express other emotions as well – such as joyfulness – transcended by music and dancing. He confided his wish to Alain Platel, who was immediately fired by the idea. The choice of musicians was key: the ensemble is made up of six singers, three likembes, accordion, guitar, bass, euphonium and percussion. The basic narrative and formal scheme of the original Requiem is retained: recognizable fragments from it are quoted in almost all the sections. Joy and intense exultation, the power of the ‘groove’ and profound incantations all meet and intermingle with polyphony from many different sources. Five African languages intertwine with the ancient Latin text, and invocations to the ancestors ring out, creating a unique journey towards the hereafter – a journey open to the reality of the world today.