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Vies silencieuses (Silent lives) is closely linked to the Villa Médicis in Rome for which I conceived this project in 2003 and where I gave it its definitive form between 2004 and 2006. These ‘lives’ were inspired above all by the pictural universes of several very different artists. Yet I believe I recognised in each of them something which spoke to me directly and echoed my preoccupations as a composer – what I might term patience, ‘the frequentation of the world’, appearance and effacement.

Grand Prix Academie Charles CROS award