LET OP! Deze boxbox is alleen beschikbaar voor levering in de volgende regio's: Europa en het Middellandse-Zeegebied. We betreuren het dat levering naar andere landen op dit moment niet mogelijk is, foutief geplaatste bestellingen worden niet verzonden.
Artiesten: Peter Kooij, Jan van Elsacker, Zsuzsi Tóth
Sorry, deze text is in uw taal niet beschikbaar
The Brockes-Passion can be considered the archetype of the German Passion oratorio. As such, it served as a model and source of inspiration for famous later masterpieces, enjoying uninterrupted popularity throughout the 18th century when no less than 11 composers, including Handel and Telemann, set it to music. The superb version by Reinhard Keiser (1674-1739) is not only the first but also adheres most closely to the great rhetorical power and rich changes of affects of the poet’s text. In German literary history, Barthold Heinrich Brockes (1680-1747) is known above all for his innovative role during the second quarter of the 18th century. In 1712, the year of the Brockes-Passion's first performance, Keiser, fellow citizen of Brockes in Hamburg, was already recognized as the most important opera composer in Germany – and, in some opinions, even in Europe. When the genius of these two great artists combined in a single work, the result could only be spectacular. The tricentennial of its first performance justified a belated but nonetheless dithyrambic tribute, here presented by the singers of the Vox Luminis ensemble and the instrumentalists of Les Muffatti.