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These 1998 performances are part of a continuing process of growth which has gone on over at least ten years, and probably much longer. ... It is necessary to emphasize the progressive integration of these three players because Gregorio's music has over the last several years grown outwardly more fragmented and discontinuous. The result is an altogether individual version of jazz-inflected music while at the same time it makes numerous references, somehow both covert and specific, to the past of jazz. — Max Harrison