• Wolfgang Amadeus Mozart

    Divertimenti

    Scottish Chamber Orchestra Wind Soloists

    Divertimenti 1 sacd CKD 479
    Livraison mondiale gratuite Linn Records

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Inspired by the legacy of the great Mozartian conductors of the SCO including Sir Charles Mackerras, the Wind Soloists make a fine contribution to the SCO's distinguished Mozart discography.

Following the success of performances and recordings of Weber's Wind Concertos with SCO principals as soloists, the SCO Wind Soloists that feature on this album have since 2012 started to explore Harmoniemusik repertoire.

This new recording includes four of the five Tafelmusik sextets for pairs of clarinets, horns and bassoons, together with the Serenade in E flat major, the first of Mozart's three great wind serenades. The Serenade in E flat major has many unusual features. Its opening fanfare – a series of repeated chords on the tonic in E flat – immediately catches the ear. The fact that Mozart avoids fatiguing the listener with a surfeit of the same sonorities, in music with a necessarily limited dynamic and instrumental range, bears eloquent testimony to his genius.

This recording captures the wealth of detail in Mozart's Divertimenti; there is something in each of them for every music lover.

Comprising pairs of clarinet, bassoons and natural horns, the players are dedicated to performing each work in a stylish and informed way, from the masterpieces of Mozart, Beethoven and Weber to twentieth-century works and contemporary commissions. The SCO Wind Soloists are: Maximiliano Martín clarinet, William Stafford clarinet, Peter Whelanbassoon, Alison Green bassoon, Alec Frank-Gemmill horn, Harry Johnstone horn.

Gramophone 'Top 10 Recent Mozart Recordings' (April 2015)

Gramophone Choice (February 2015)

'These performances wonderfully capture the charm of these Mozart chamber works, each instrument oozing a delightfully unforced sense of personality...I fancy Mozart would have smiled in approval.'

'Like the SCO proper, they straddle a distinctive stylistic line between period sensibility and mostly modern instruments. The notable exception, the natural horns, which gave superb balance and character.' The Herald

'You'd be hard-put finding better wind ensemble playing.' The Guardian