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As the symbiosis between the art of the poet and that of the composer, the French mélodie became the jewel of the salons of the ‘Belle Époque’. By placing a string quartet and a piano around the singer, Chausson’s Chanson perpétuelle, Lekeu’s Nocturne and Fauré’s La Bonne Chanson oscillate between chamber musical intimacy and orchestral ambition. Alongside these famous pioneering pieces, this programme devised by the Palazzetto Bru Zane champions a return to the art of transcription, so popular in the nineteenth century, with the aim of expanding the repertory for voice, strings and piano in order to unearth some forgotten treasures. Hence Hahn, Berlioz, Saint-Saëns, Massenet, La Tombelle, Ropartz, Louiguy and Messager all appear in a programme whose guiding thread is the emotions of nocturnal abandonment: the charms of twilight, the trajectory of dreams, the terror of nightmare or the exhilaration of festive occasions. Alexandre Dratwicki has made these arrangements in the style of the nineteenth century. Appropriately enough, the programme ends with La Vie en rose, for this music offers a kaleidoscope of all the colours of human feeling. The texture of solo strings and piano sets Véronique Gens’s incomparable storytelling artistry in a new ligh. 

Diapason Or award Le choix de France Musique award Choc Classica award Cle ResMusica award Diapason - Diapason 2020 award

"Gens's performances are as spellbinding as ever. It's hard to think of another singer working today who is more compelling in this repertory, with every word crystal clear and every nuance of the text perfectly inflected."
The Guardian
"In the last decade, she has released several albums exploring the French mélodie, repertoire that is the focus of this wonderful new release. It is music that perfectly suits Gens’ sensuous tone and interpretive insight."
The Classic Review
"As one might expect, however, everything is beautifully and fastidiously done. Gens is in fine voice here, caressing phrases and words with all her customary refinement. Chanson perpétuelle, reflective yet intense, then suddenly searing at its climax, gets one of its finest performances on disc."
Gramophone
"(On Véronique Gens) Her finely polished, exceptionally warm and smooth midrange is blessed with grace. (…) You don’t want this recital to end."
San Francisco Classical Voice
"Given her impeccable diction, one feels that the soprano is affording each word of the mélodie special attention. Standing out, too, are Gens’ steadfast vocal lines and purity of tone, enriched by her instinctive talent for style, composure and sincerity. (…) This new album makes a captivating prospect and one difficult to ignore."
Music web international
"The soprano Véronique Gens shines in the role of the"
Fono Forum
"Gens's rich, dusky soprano is the perfect conveyance for the selections."
Opera News