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‘The senses reign, and Reason now is dead’ (Petrarch). Giovanni Antonini, flautist and founder of the legendary Italian ensemble Il Giardino Armonico, enjoys musical voyages, the discursiveness of music. He begins with an anonymous 16th century pavane, La Morte della Ragione (The Death of Reason), which he believes refers to In Praise of Folly, in which its author Erasmus distinguishes between two forms of madness: ‘a sweet illusion of the spirit,’ and a negative form, ‘one that the vengeful Furies conjure up from hell...’ This succession of ‘musical pictures’ leads us to the threshold of the baroque era, starting out with the Puzzle Canon by John Dunstable (1390- ca.1453), whose manuscript is an enigma, via the ‘bizarre’ style of Alexander Agricola (1446- ca.1506) and his obsessive, ostinato rhythm – almost an anticipation of minimalist music…to the improvisatory freedom of the Galliard Battaglia de Scheidt (1587-1654), a battle piece involving a great many diminutions or ‘divisions’, a common technique of improvisation in the Renaissance... This grand instrumental musical fresco of time and space is a kind of self-portrait of Giovanni Antonini and his longstanding musical colleagues. To accompany this disc, a richly-illustrated booklet presents a free-ranging iconographical tour combining pictures and contemporary photos.   

Diapason Or award Le choix de France Musique award Choc Classica award Diapason Or 2019 award

"It’s a breathless and entertaining ride."
The Guardian
"For anyone interested in the music of the renaissance and early baroque, it’s simply unmissable, with one gem after another."
"This is a collection both adventurous and scholarly, a brilliant demonstration (played with great panache) that what Theseus said of the poet in the speech which opens Act V of A Midummer Night's Dream is also true of many a composer of the sixteenth and seventeenth centuries: “The lunatic, the lover, and the poet / Are of imagination all compact.” La Morte della Ragione is a celebration of the powers of imagination and emotion (…)"
MusicWeb International