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The present recording attempts to provide musical illustrations of elements from Ganassi’s treatise on ornamentation Fontegara, published in Venice in 1535. This work was intended for his wealthy aristocratic pupils, and a priori it does not reflect only his personal practice. This versatile musician’s professional career consisted essentially in directing and playing the bombarde with his ensemble in the service of a number of doges and scuole. He also performed in the ridotti, the circles in which humanists and cultured nobles met. It is this refined art that William Dongois and his musicians propose to revive here, drawing on a very rich repertory of dances, songs and madrigals.