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Pierre Henry, a supreme innovator in the field of sound aesthetics, opened the gates to many other musical universes through the applications of his technological research. Fascinated by Beethoven from an early age, he composed a ‘Tenth Symphony’: ‘It’s not the one Beethoven made sketches for’, he said. ‘Nor is it a synthesis of the nine. It is essentially a combinatorial work. It’s also a tribute to the man who hoped to exceed the limits of the orchestra. Perhaps a way of painting my portrait (our portrait) through this music and the influence it has had on mine. It is a dreamlike, logical and respectful trajectory through what these symphonies contain and suggest. The work deliberately uses as “raw material” only notes, groups or motifs from the nine symphonies.’
There are three electroacoustic versions (1979, 1988, 1998), but it is the unpublished symphonic version that is presented here.
It was premiered in November 2019 at the Cité de la Musique in the Philharmonie de Paris, by three orchestras, two choirs and three conductors: the Orchestre Philharmonique de Radio France, the Orchestre du Conservatoire de Paris, the Chœur de Radio France and Le Jeune Chœur de Paris, under the direction of Pascal Rophé, Bruno Mantovani and Marzena Diakun. Pierre Henry died on 5 July 2017. He would have loved to have heard his Dixième Symphonie de Beethoven as we are now able to.

"The beautiful aspect of that is, that shining through busy and unfamiliar matter, some isolated parts of Beethoven's composition appear for their inherent beauty in ways in which they don't always manage to do–or not as obviously, anyway–when they are part of the real thing, because we're almost too familiar with it, hiding within the expected."
"Those extensive French forces named above deliver a superb, totally committed, performance of a most unusual work. Their attention to phrasing, careful dynamic shadings and well-judged tempos make this Beethoven bouillabaisse all the more delectable."
Classical Lost and Found