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On first hearing this CD may sound to you like an ill-programmed mess, with the improvisations up front and thecatchy numbers buried deep. But with ICP, over the long haul or short, the more you hear it, the more apparent itstrajec tory becomes, the more orderly and less chaotic it sounds. Or, the more you hear ICP’s improvised “instantcompositions” and their instant demolitions of Misha’s highly whistleable tunes, the less clear it becomes what’sorder and what’s chaos to begin with. They rewrite the book on accepted mu sical practices, just as they rewrite theirown book, every precious evening they’re on the bandstand.

Kevin Whitehead