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Recorded in 1998... the three pieces fall comfortably into a long-form, open presentation of thematic improvisation that feels even older – with its roots, say, in the freeing of forms that occurred during the ‘60s – while making allusions to and referencing details to be found throughout the history of jazz. This is neither an act of stylistic appropriation nor conscious postmodern juxtapositioning, but an organic collective response reflecting the individual life experiences of these particular musicians, as artists from different generations, different geographical locations, different musical environments (making even the group name, Fellowship, with its echoes of ‘60s cooperative optimism, all the more apt). — Art Lange