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Giovanni Felice Sances published his collections of cantade in Venice around 1640. Their music, poetic, lively, rhythmic and sensual, is placed at the service of a rich palette of amorous sentiments: innocence, desire, seduction, jealousy and despair all make their appearance. Sances also left us a number of ‘amorous dialogues’, miniature operas depicting Ruggiero and Angelica (who, to safeguard her virginity, makes herself invisible and flees the doughty knight who has just saved her from a monster’s clutches) and the naughty frolics of Tirsi and Filli, who want at all costs to ‘die’ together.