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Aaron Pilsan is only twenty-five years old, but he already has a busy career to his credit, with a solo album devoted to Beethovenand Schubert - very well received by the critics - and another of duo repertory with the cellist Kian Soltani. A student of Lars Vogt, he has also received guidance from András Schiff - Bach has always been at the centre of their work together. The young Austrian pianist has been fascinated since childhood by The Well-Tempered Clavier, ‘that musical journey on which Bach embarks with us in Book One: from the seemingly simple and joyful triad of the famous Prelude in C major to the final fugue, of a complexity almost worthy of Schoenberg, on a subject that already includes the twelve semitones of the chromatic scale . . . Ever since I became interested in Bach’s music, I have never ceased to ask myself how to make the modern grand piano - which has a rich fundamental sound but a reduced volume of harmonics compared to the harpsichord - produce an essentially “well-tempered” impression on the listener... But for me it was not a question of instrumental history, but of interpretation.'

"The Alpha recording for Pilsan is stunning, the piano brilliantly prepared by technician Christian Schoke. The recording process involved Pilsan playing the work over and over again, as if in a concert - and that sense of continuous thought is preserved miraculously on these two discs. A gem."
Classical Explorer
"Pilsan's thoughtfulness reminds us why we return again and again to this music: there is so much more to be said. "