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After Debussy and Schumann, Nelson Goerner comes back to the composer who revealed him to the great audience of recorded music: Chopin. His first Chopin recordings won him high praise and countless distinctions (3 Diapasons d’Or!): ‘Everything he touches seems «right»’ wrote Gramophone in a recent issue.
Nicknamed ‘the great poet of the piano’, he now attacks Chopin’s 24 Préludes, which he chose to record live, in a single go, in Poland where he is particularly appreciated and considered an essential pillar of the Chopin Institute.
As a complement, Nelson Goerner opts for the Barcarolle Op. 60, the Polonaise Op. 44 and the Berceuse op.57.