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After Debussy and Schumann, Nelson Goerner comes back to the composer who revealed him to the great audience of recorded music: Chopin. His first Chopin recordings won him high praise and countless distinctions (3 Diapasons d’Or!): ‘Everything he touches seems «right»’ wrote Gramophone in a recent issue.

Nicknamed ‘the great poet of the piano’, he now attacks Chopin’s 24 Préludes, which he chose to record live, in a single go, in Poland where he is particularly appreciated and considered an essential pillar of the Chopin Institute.

As a complement, Nelson Goerner opts for the Barcarolle Op. 60, the Polonaise Op. 44 and the Berceuse op.57.

 

Diapason Or award GRAMOPHONE Editor's Choice award Le choix de France Musique award Choc Classica award Klara 10 award