Text auf deutsch noch nicht verfügbar

In earlier times, adaptations and rearrangements of their own works or those of others formed an integral part of the daily lives of musicians and composers. So-called ‘historically informed’ performance practice, which has developed out of a strictly historical perspective on past eras of music, long left this way of treating an existing composition almost totally unexplored. Today, however, it is enjoying a renaissance and is part of a musician’s training. The idea of arranging Bach’s works is a natural one, since the composer himself was an inveterate transcriber. Most of the programme recorded here consists of solo keyboard works rescored for a chamber formation – in other words, the performers have chosen an approach that is the contrary of Bach’s usual practice.

A fascination for the timbral possibilities of the viola da gamba trio and a shared passion for Bach’s music prompted the Cellini Consort to create this original and personal programme.