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Listening to Anderson’s four compositions, Doran’s piece, four free improvisations, and an Ellington tune, from the two sessions strike me as collages of a sort, bringing together very different aesthetics, directions, and mate- rials, for a direct confrontation. Not a confrontational confrontation, mind you. A very amenable comparing, con- trasting, and combining of sensibilities, the very thing that makes creative music tick. — John Corbett